Coming Soon. The only reason I did watch it was Doris Day. During the late 1940s and early 1950s musicals acquired a distinctly noir-ish quality, and the life of singer Ruth Etting was made to order. Love me or leave me here And love me baby please cause I could still be the only one you need The only one close enough to feel you breathe Yeah I could still be that place where you run Instead of the one that you're running from, ooh You, can take this heart Heal it or break it all apart No, this isn't fair Love me or leave me here Aah-aah . LMOLM is a scintillating musical bio, rich in production value from costumes to set pieces and beautiful stereophonic sound. Martin Snyder: [to Ruth Etting when she visits him in jail] Tell 'em you seen me in the pokey and I looked great! Another one of her best films. [1] Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play Simple Simon, which opened in February 1930.[1]. Little Mix ~ Love Me Or Leave Me ~ Lyrics - YouTube 0:00 / 3:27 Little Mix ~ Love Me Or Leave Me ~ Lyrics SBBSQ Production 592K subscribers Subscribe 80K 8M views 5 years ago Enjoy ! It was an extremely complex performance. After kicking a customer for his unwelcome attention, 1920s Chicago nightclub singer and dime-a-dance girl Ruth Etting is in jeopardy of losing her job when Martin Snyder intervenes on her behalf. 2h 2m, Distributor: A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom. Cynthia Wyatt abandons her fraternal twin infants as a troubled teen, leaving her own mother Annie Ruth Wyatt to raise the children. He is certainly fun to watch, though! However it's one thing to see Cagney as a gritty mobster in films like "Public Enemy" and "White Heat" where his aggression is expressed as an enemy of society. Privacy Policy In the story, Etting is highly ambitious, and Marty helps her career after picking her up in a dance hall and realizing he's not going to get anywhere. Filming began on September 16, 2012 and finished on February 17, 2013. You're almost there! To test if Hao Ming will remain faithful to her, she hires Zhao Shan Shan (Albee Huang) to test if he will cheat on her. [6] It first reached the Billboard magazine charts on May 28, 1955 and lasted 12 weeks on the chart. Hoping to strike double rating success with their "Inborn Pair" leads, Annie Chen and Chris Wang was then split up to film two different new romance dramas to be aired back to back. She looks genuinely sexy in her scenes, not a word often used to describe her screen persona. At the same time, Etting has to straighten out her love life without alienating the temperamental Snyder. It's a faultless performance, all the more impressive for staying understated, scaled down. "Love Me Or Leave Me" is Ann Hsu's first drama as the lead actress after many years of playing supporting roles in Taiwanese dramas. with updates on movies, TV shows, Rotten Tomatoes podcast and more. A classic movie musical drama that provides more than most movie biographies. This in turn weakens the relationship between the two leads as its hard to understand why Day's character has fallen so hard for her thug boyfriend, played a bit one note by Cagney. It's a faultless performance, all the more impressive for staying understated, scaled down. Your AMC Ticket Confirmation# can be found in your order confirmation email. Love Me or Leave Me looks great and comes with great production values. It's such an effective performance that for once, I almost began to dislike him as an actor, which probably goes a long way to explain just how amazing he actually was. When she sings a song, she stays exactly in character she sings the songs precisely how her character would sing the songs. Coming Soon, Regal Love Me Or Leave Me Lyrics This suspense is killin' me I can't stand uncertainty Tell me now, I've got to know Whether you want me to stay or go Love me or leave me or let me be lonely. It's amazing just how good she is, and I wonder why she let herself be typecast as the eternal virgin? After purchasing the tape of this film, all I can say is the sooner it goes to DVD, the better. To learn more, check out our transcription guide or visit our transcribers forum. Everything explodes when they go to Hollywood to make a movie, and real-life scandal prevails. The music was written by Walter Donaldson and the lyrics by Gus Kahn. She is at her dramatic best & never looked sexier. Look at the lackluster acting of Kathryn Grayson or Jane Powell sometime. One of the things that struck me was that while Joaquin Phoenix had a much tougher job because Johnny Cash was performing almost up to the end and had a distinctive sound that I didn't think anyone could match, Phoenix did a very good job in capturing him. Several key songs from Etting's career are covered, sung well by Day (specifically Ten Cents a Dance, You Made Me Love You, and Love Me or Leave Me). But as Ruth's popularity grows, Martin's obsessive and controlling behavior begins to threaten her success and happiness. Their parry-and-thrust relationship reaches a horrible, brutal peak in a scene which Day wrote in her 1975 autobiography was actually shot as a full-blown rape, but drastically edited down by release time. producer Cinematography by Arthur E. Arling . And the way she sang those ballads breaks your heart. Though not big on the facts, it is a wonderfully compelling drama with music chronicling the rise of the troubled young torch singer, who, according to this film's screenplay, had a trouble getting her career going until she met a gangster named Jimmy "The Gimp" Snyder (James Cagney), whose dangerous exterior melted in Etting's presence escalating to his Svengali-like grip on her career and her personal life. Cagney's performance is less remarkable than Day's, because he had less road to travel. Love Me or Leave Me Alone Lyrics: I've been holdin' this in / From the very first kiss / And I've been losin' my mind / Tryna keep up like this / But we both know that there comes a time / And I . Oh well, 'que sera,' whoops, wrong movie. Through an agent, Bernie Loomis, he arranges a radio program to feature Etting, followed by a job with the Ziegfeld Follies. Etting declines, but Snyder's interest in her continues. OhYou can take this heartHeal it or break it all apartNo, this isn't fairLove me or leave me hereOh, oh, oh, oh, oh, ohLove me or leave me hereOh, oh, oh, oh, oh, ohLove me or leave me hereLove me baby, please'Cause I could still be the only one you needThe only one close enough to feel you breatheYeah, I could still be that place where you runInstead of the one that you're running from, oohYou can take this heartHeal it or break it all apartNo, this isn't fairLove me or leave me hereOh, oh, oh, oh, oh, ohLove me or leave me hereOh, oh, oh, oh, oh, oh (Oh-oh, oh)Love me or leave me here The girlfriend Ji Qing however has certain fears towards marriage due to her family background and in an attempt to test the loyalty of her boyfriend Hao Ming, she gets another woman to get close to her boyfriend . In contrast to Cagney's overblown characterisation, he subtly underplays his part and is clearly in sympatico with Day in their scenes together. A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom. Frothy? In the United Kingdom, it was released 1955 by HMV Records as catalog number B-309 (78rpm) and 7M-309 (45rpm),. Not bad, not bad. Nominated for six Academy Awards, the picture stars Doris Day as Etting, James Cagney as gangster Martin "Moe the Gimp" Snyder, her first husband and manager, and Cameron Mitchell as pianist/arranger Johnny Alderman, her second husband. Enter the length or pattern for better results. Both dramas started filming at the same time. One wonders if he had a parent that was abusive or an Uncle or someone he had intimately observed. I sure wish I knew. Nicknamed \"Lady Day\" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. While he was cruel, vile, despicable, certainly repulsive and yet you felt at the same time he was pitiful, sad, pathetic. [7] (However, another source[8] gives the highest position as #9, but lists this as a position for the combined two sides of the record, "Love Me or Leave Me" and "Something's Gotta Give. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Doris Day runs circles around them. Nina Simone "Love Me Or Leave Me" on The Ed Sullivan Show The Ed Sullivan Show 549K subscribers Subscribe 5.6K 232K views 1 year ago #NinaSimone #EdSullivanShow #EdSullivan Nina Simone "Love Me. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo.Billie's accompanied by Emmett Berry (tp), Jimmy Hamilton (cl) \u0026 (ts), Hymie Schertzer (as), Babe Russin (ts), Teddy Wilson (p), Albert Casey (g), John Williams (b), and J C Heard (ds). Because from somewhere that man understood something about an abusive relationship and put it in his performance. Johnny continues to woo Etting, but under heavy pressure from Snyder she marries him instead. , and to receive email from Rotten Tomatoes. Finally, he becomes so angry that he rapes her (this is suggested in the film but the scene was cut by the censors). Snyder had ties to show business, and took over managing her career. The film is recognized by American Film Institute in these lists: According to MGM records the film earned $4,035,000 in the US and Canada and $1,597,000 elsewhere, resulting in a profit of $595,000. LOVE ME OR LEAVE ME was MGM's lush and richly entertaining biography of 1920's torch singer Ruth Etting. Record August 7, 1941. The sound recording is administered by SME. I too can't understand why Cagney and not Day (or Mitchell come to that) got the Oscar nomination. He's hoping for the big prize - i.e., Ruth - at the end of the rainbow, but though she's grateful, she's never going to be THAT grateful. The song was introduced in the Broadway musical comedy Whoopee!, which opened in December 1928. Etting tries to retain her independence until it is implied that Jimmy rapes her and Etting becomes,in Jimmy's mind, his possession. They are both schemers; the difference is, Day's Etting is more subtle about her climb to stardom, getting all the help she can from Cagney while slipping quietly under his brutish radar. Love me or leave me Or let me be lonely You won't believe me, I love you only I'd rather be lonely Then happy with someone else You might find the night time The right time for kissin' But night time is my time For just reminiscin' Regrettin' instead of forgettin' With somebody else There'll be no one Unless that someone is you Charles Vidor, Producer: Makes me feel like a kid again! Genius is the ultimate source of music knowledge, created by scholars like you who share facts and insight about the songs and artists they love. 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